An Iranian female singer is facing legal action after performing an online concert without a hijab, an act which defied the theocracy's Islamic dress mandates.
The judiciary announced on Thursday that the concert, streamed live on YouTube from a historic arched caravanserai, "lacked any legal authorization and did not comply with the country’s legal and cultural standards."
Officials added that a case has been filed against Parastoo Ahmadi and her production team.
The Caravanserai Concert, held on Wednesday night, quickly became one of the most discussed topics on Iranian social media.
Despite YouTube being restricted in Iran, the performance attracted over 150,000 views within 18 hours, with clips widely shared online.
Ahmadi, in her introduction, described the concert as hypothetical, saying, “I am Parastoo; a girl who wants to sing for the people she loves... this is a right I could not forsake.”
Ahmadi was born in 1997 in Nowshahr in northern Iran. She is a graduate in directing from Sooreh University and spent years playing the piano and doing song covers which she shared on her Instagram page.
Iranian law prohibits women from singing solo or appearing in public without a hijab. Ahmadi’s performance, in which she bared her shoulders, challenged these long-standing restrictions.
Her earlier acts of defiance, including a rendition of Az Khoon-e Javanan-e Vatan (“From the Blood of the Youth of the Nation”) during 2022 nationwide anti-veil protests, had already brought her into conflict with authorities. Following that performance, she was summoned by security officials and her home was searched.
Artistic defiance has become a hallmark of Iran’s protest movements, with musicians such as Shervin Hajipour, Saman Yasin, and Toomaj Salehi facing arrest for their roles in mobilizing dissent. Ahmadi’s concert continues this tradition, positioning her as both an artist and an activist in a country where such roles carry significant risks.
The judiciary’s swift action shows the government’s determination to curb what it sees as cultural transgressions, even as social media amplifies these acts of resistance to global audiences.